Decoding the Dropa Stones: Mysteries of Ancient Cultures and Extraterrestrial Connections – An Interview with Hans Dietrich

What if mysteries of ancient cultures could reveal secrets about extraterrestrials and our own place in the universe?

Hans Dietrich begins by taking us on an extraordinary journey through his multicultural upbringing in Nepal and what it was like moving to the United States to attend university. From legends and lores of the Kathmandu Valley to personal experiences with out-of-body phenomena, Hans shares how these elements shaped his belief that we are not alone in the cosmos.

His journey from the spiritual landscapes of Nepal to a life-threatening accident in the U.S. opened doors to alternative healing practices and a renewed quest for understanding the mysteries of existence. Through engaging with researchers of ancient civilizations and exploring artifacts like the Dropa Stones, he dives into the intersections of spirituality, mysticism, and ancient cultures. If you’re interested in ancient civilizations and the connection to extraterrestrials, you do not want to miss this conversation!

When did you first believe that humans are not alone in the universe? What sparked that thought?

Hans Dietrich: I would say at a young age. I grew up during the Star Wars era and first saw Empire Strikes Back, which terrified me—Darth Vader especially. It sparked the idea that maybe other civilizations exist. Growing up in Nepal, I was immersed in the Mahabharata and the legends of the Kathmandu Valley, like the Yeti. These stories fueled my imagination.

However, it wasn’t until I began experiencing things like craft sightings and missing time that I started to believe something was truly there. That began around 1998 and continues to this day. These phenomena make you wonder.

Are we alone? As Carl Sagan said, if we find just one bacterium outside Earth, then life is teeming in the universe. For example, during the Viking missions to Mars in 1975, they detected bacteria movement and water vapor near the poles. Yet we still act as though water is a new discovery. With billions of stars and countless habitable zones, it seems inevitable that life exists elsewhere. 

1981-2007 – Hans in Nepal

What brought you to Nepal, and how was the transition at 19 to a different country?

Hans Dietrich: I was what you’d call a third-culture kid. I was born into one culture, raised in another, and experienced multiculturalism through that. My father went to Nepal in the 1960s as part of Group 2 of the Peace Corps, from 1963 to 1965. Later, he returned to do his doctoral dissertation in Anthropology, spending a year in a remote Gurung village in the Manang Valley, studying the village caste system.

When I was four, my father brought my mom, sister, and me to Nepal. I lived there, off and on, until I was 19. Later, at 21, I returned to Bhutan for an intense two-month thesis study and had also completed a six-month internship in large-format printing in Kathmandu. Most of my childhood, about 12 years, was spent in Kathmandu, and I was immersed in Nepalese culture. At four, I was already speaking Nepalese, so it felt natural.

The real culture shock came when I returned to the Pacific Northwest for university. It was more of a reverse culture shock. I decided to attend art school to pursue a career in design and illustration, thinking my travel stories and unique upbringing would resonate with people. However, the opposite was true.

This was in 1998, before the internet connected everyone. Most of my peers hadn’t traveled and were more focused on politics, TV shows, or sports—things I wasn’t exposed to growing up. It created a disconnect until I began incorporating multicultural elements into my art. My peers were intrigued, which helped bridge the gap.

The reverse culture shock was significant. Jimmy Church once pointed out how I’d lived in a civilization thousands of years old before returning to the U.S., a country with a much shorter history. The contrast between ancient Nepalese culture and the modern, multicultural U.S. is striking and shaped how I see the world.

Hans in Bhutan – 1998

Would you say the life you experienced had a richer texture compared to the pop culture you later encountered?

Hans Dietrich: Absolutely. In Nepal, life feels deeply connected to traditions and spirituality. Many houses in villages are built from mud, and there’s a yearly tradition of re-mudding, rebuilding, and cleaning. Each season has specific holidays rooted in culture and spirituality, unlike in the West, where such events are often commercialized.

For example, the fall harvest festival, Dashain, is incredible. Villages celebrate with giant swings, music, and communal feasts, where families slaughter a buffalo, goat, or chicken based on their status, and everyone shares. It’s a celebration of blessings for the next harvest, reinforcing the cycle of sowing and reaping.

Then comes Diwali, the festival of lights. It’s a time of weddings and joy, with houses strung with lights and candles lining rooftops. These festivals are vibrant and rich, hard to describe without experiencing them firsthand.

That’s why I always encourage people: get out of the office, hop on a plane, and spend the money. Life is short. Seeing the world and immersing yourself in such cultural experiences will inspire and enlighten you.

What is the religious makeup of Nepal and Bhutan?

Hans Dietrich: Nepal is a fascinating mix of religions. It’s predominantly Hindu, but there’s also a strong presence of Buddhism, as well as Islam, Jainism, Baha’i, Judaism, and Christianity. Jesuits have had a significant influence, especially in establishing school systems. It’s a hodgepodge of beliefs, with beautiful expressions in all religions and philosophies. Navigating that diversity is part of the experience.

The international school I attended, for instance, was K–12 with only 300 students but represented 72 nationalities. It created a close-knit, multicultural family. That was a huge gift for me. I learned so much about other countries and cultures, and I’m still friends with many of my classmates. They live all over the world, which is amazing because when I travel, I visit them. They show me the authentic aspects of their countries, not just the tourist highlights.

That’s why I don’t understand why some people just stay in a hotel for a week and lounge by the pool. Why not explore the rest of the country and truly experience it?

How did your experiences with religion, spirituality, and mindfulness develop from childhood to adulthood?

Hans Dietrich: Growing up in Nepal, surrounded by an international expat community, I was constantly exposed to spirituality. Many people were into yoga and their own spiritual practices. Nepal itself is full of ashrams, monks, and meditation centers, along with an open-minded, almost new-age community of people seeking answers. I found this fascinating and loved meeting such individuals.

I enjoyed socializing with tourists, asking about where they were from, what they did, and why they were visiting. I’d often offer to show them unique aspects of Kathmandu they wouldn’t typically experience. For instance, I’d pick them up after breakfast, take them to the lesser-known areas of Pashupati, and introduce them to yogis for meaningful conversations.

These experiences created opportunities for cultural exchanges, allowing me to learn about others’ philosophies and spiritual beliefs. While I was immersed in this environment from a young age, it wasn’t until middle and high school that I began truly understanding myself and my surroundings, deepening my awareness of these aspects of life.

How did your spirituality evolve after moving to the United States?

Hans Dietrich: It definitely shifted. When I returned to the States, I experienced reverse culture shock and bottled up my emotions. I focused on my art, aiming to become a graphic designer and illustrator. Then, I had a life-changing accident—a car hit me while I was cycling, leaving me partially paralyzed on my left side.

A German osteopath client recommended deep-tissue Chinese acupuncture. Initially skeptical, I found a specialist during a trip to Nepal via Thailand. At Bumrungrad International Hospital, they used four-inch, 10-gauge needles, and the results were astounding. After the procedure, I went from partial paralysis to playing basketball that evening. That experience revealed the power of energy work and non-pharmaceutical healing.

With downtime after losing my job and insurance, I immersed myself in documentaries about spirituality, consciousness, extraterrestrial life, and ancient civilizations. This deepened my curiosity. Later, I connected with researchers like Brian Forrester and Patricia Awyan Lehmann, creating flyers and posters for their work in Peru and Egypt. These collaborations propelled my interest further.

I approach research with skepticism, asking hundreds of questions, but visiting these sites in person often shatters preconceived notions and raises even more questions. This accident set me on a path of exploration and spiritual rediscovery, blending art with a passion for learning about these profound topics.

What are Dropa Stones, and how did you become interested in them?

Hans Dietrich: I did my thesis in Bhutan in 1998, focusing on Buddhist cultural mysticism, ancient art, and architecture. After China’s invasion of Tibet in the 1950s, Bhutan became a refuge for some of the oldest Buddhist art and architecture. I was also fascinated by Bhutan’s lore, legends, and mysticism. This included Nyingmapa Buddhism, a sect that delves into topics like levitation, astral projection, ascended masters, and connections to Mount Meru and Sirius. Unlike other Buddhist sects, Nyingmapa Buddhism openly discusses these mystical concepts.

During my time in Bhutan, I came across a nomadic tribe known as the Drogpa. After completing my thesis and entering the design field, I watched a 2005 documentary on the History Channel featuring David Sereda, Richard Dolan, and Hartwig Hausdorf. They discussed a mysterious group called the Drogpa from Central China. Hearing this brought me back to my 1998 thesis and my interactions with this unique tribe.

The Drogpa are small in stature, with blue eyes, an orange complexion, and sometimes auburn hair. They speak Shina, a language 2,000–3,000 years older than Sanskrit, rather than Tibetan, Nepalese, or Hindi. Variations of the tribe’s name appear across regions: the Dzopa in Central Tibet, the Dropa in Bhutan and Nepal, and the Brokpa in areas extending to Turkmenistan and around the Black Sea. This nomadic group is unique and enigmatic, sparking my interest.

In 2005, I considered joining one of my father’s treks in Bhutan to collect blood samples from the Drogpa to study their haplogroup, inspired by DNA research on elongated skulls. However, my father opposed the idea. I set the topic aside until 2018, when another researcher encouraged me to explore the Dropa stones. Despite finding repetitive information online, the mystery continues to fascinate me.

What are Dropa Stones for those who have never heard of them?

Hans Dietrich: The Dropa stones are circular discs resembling Chinese bi-discs, which are also mysterious in purpose. They’re about this size, with a hole in the center. What makes them fascinating is the spiraling glyphic writing that extends from the center of at least one of these discs. While the story mentions a total of 716 discs being discovered, only one is confirmed to have this writing—the rest remain ambiguous.

When were the Dropa Stones found?

Hans Dietrich: The Dropa stones were discovered in 1938 in a remote area of what was then Far Eastern Kham Tibet. The specific location is called Bayan-Kara-Ula, which is part of the Bayan Har Shan Mountain Range.

Do we physically have them in our possession as humans? 

Hans Dietrich: This is an interesting question. There is a good possibility. The region where the Dropa Stones were found is full of caves, many of which are very dry due to the region’s aridness. In these caves, archaeologists have previously discovered manuscripts, petroglyphs, and mummified remains like the Tarim mummies, which are believed to date back to around 4000 BC. These mummies were remarkably well-preserved, showing red hair, blue eyes, short stature, and a golden-orange complexion. But, in the 1930s, much of this information wasn’t yet discovered.

An archaeologist from the Beijing Academy of Sciences went into this region with his team, discovering a cave that contained a burial site. They found petroglyphs on the walls, one of which depicted the constellation Canis Major with a dotted line leading to a mountain range. This petroglyph suggested the possibility that these people may have originated from the Sirius star system. In the cave, they discovered rows of mummified remains—small, short-statured, about four feet tall, with slightly elongated heads. These remains also showed signs of blue eyes, auburn hair, and the same orange-golden skin tone. Among these remains, they found one of the Dropa discs.

Twenty years later, this disc was reportedly translated, but how do you translate alien glyphs when there’s no known cipher? The story surrounding the translation faded out after that. One of the discs was sent to the Soviet Union for further testing. Mineralogical tests revealed that the disc was made of jadeite, a type of granite that contains jade crystals, along with micro-materials like mercury and cobalt. The testing also revealed that the disc not only held a charge, but it had been holding that charge for an extremely long period.

Then, in 1966, Mao Zedong’s Cultural Revolution in China began. During this time, many elements of Chinese cultural history were destroyed, hidden, or removed. Most of the findings from this period were lost, and many artifacts were either smuggled out of the country or went into private collections. By the 1980s, some of these discs began to appear in museums such as the Banpo Museum in Xi’an, China. The question remains: what are these discs? The Chinese government doesn’t even really know, as most of them are unmarked. This raises the possibility that they might be linked to the Dropa culture, though it has been difficult to find more definitive evidence.

I started digging into the sources mentioned in a 2005 documentary about the Dropa Stones. However, I found that most of these sources could not be verified. As I continued my research, I came across a German article from 1965 and a 1967 article in Sputnik magazine. These two articles were very similar and both described a cultural archaeologist finding the site where the discs were located.

One of the articles described a man translating the discs and even provided the translation of what was written on them. The translation is incredibly fascinating because it describes a group of Dropa people coming down from the clouds in their craft, crashing on Earth, and being witnessed by the locals. The dates in the translation are questionable, as the text suggests that the Dropa had come before and were returning a second time. This adds a new layer to the story, suggesting that the Dropa may have arrived twice: once 10,000 years ago and possibly again about 1,000 years ago.

This is a fascinating possibility because it connects to the stories of the Dropa culture, which some believe dates back over 10,000 years. So, there’s a great deal of intrigue surrounding the idea that the Dropa might have returned after a long period, possibly as recently as 1,000 years ago. I plan to go into more detail about this topic at the Conscious Life Expo, but it’s important to note that much of the information surrounding the translation of the Dropa Stones is still speculative.

From my perspective, the translation seems to have come from the observers of the crash, rather than from the Dropa themselves. This makes sense because, when looking at alien scripts, it’s very difficult to decipher their meaning. However, if you consider the glyphic writing used on the discs, it’s not completely alien. It may actually represent a regional language, one outside of Chinese glyphic writing, which could be cracked in the future.

The Dropa Stones are, therefore, mysterious artifacts, possibly linked to an ancient culture with knowledge of the stars and possibly an extraterrestrial origin. The story of the Dropa may still have many layers left to uncover, and further research might reveal more about these fascinating discs. These stones might hold the key to understanding a lost chapter in human history—or even humanity’s connection to other worlds.

There are people who would say this is all just a myth. What would you say to that?

Hans Dietrich: This question ties into my thesis and my research on Buddhist culture and mysticism. Through my work, I learned from my teacher, Tashila, who translated ancient Tibetan texts. Tashila spoke about ascended masters, beings who have mastered mind, body, and spirit. These are enlightened beings, or bodhisattvas, who stay on Earth out of compassion to help others. Rather than becoming purely spiritual, they remain to assist humanity. These monks also mastered meditation techniques, including astral projection.

When we think of technology, we usually think of physical devices like cell phones. But fire, meditation, and yoga are technologies in their own right because, through practice, we can master them. Meditation, particularly transcendental meditation, is a technology that allows people to transcend physical boundaries and enter different dimensions or realms. In these traditions, ascended masters have the ability to project themselves through time and space to other planets, galaxies, and realms.

This brings us to the question of interdimensional beings or extraterrestrials. If humans can astrally project themselves across dimensions, what’s to say that extraterrestrials can’t do the same? Just as we can use ships with physical technology to travel across the universe, we could also astrally project or even send our consciousness to other realms. This idea extends to concepts like panspermia—sending DNA via spores that land on life-sustaining planets through asteroid impacts.

Interestingly, recent discoveries have made this idea even more fascinating. In 2017, SETI (Search for Extraterrestrial Intelligence) reported receiving pulses from another part of the galaxy, and in 2018, NASA confirmed the discovery of synthetic DNA. This breakthrough could potentially lead us to understand extraterrestrial life through DNA strands transmitted via radio waves. It brings to mind the movie Contact, where humans receive radio signals to construct a device that allows them to communicate with an extraterrestrial race through an astral projection technology.

At a recent alien event in Las Vegas, I raised the point that aliens could communicate through radio waves, just as we do. Why wouldn’t extraterrestrials use a communication method that we could receive? In fact, we can see a connection between ancient traditions and modern science. Buddhist literature discusses conscious and physical astral projection to places like Sirius, a star system that is significant in many cultures.

The concept of astral projection is closely tied to Mount Meru in Buddhist tradition. Mount Meru is considered a dimensional portal, connected to the Earth’s chakras, with the crown chakra reaching towards Sirius through a rainbow bridge. This metaphor for the Milky Way aligns with ancient descriptions of cosmic connections. Norse mythology also speaks of a rainbow bridge, called Bifröst, which links the Nine Realms. This overlap between different cultures suggests a universal understanding of interdimensional travel and spiritual journeys.

If we consider the possibility that a culture in Central China—perhaps connected to Tibetan Buddhism or even extraterrestrial influences—had knowledge of these concepts, it becomes even more intriguing. There’s a strong connection between the traditions of Buddhism, Tibetan teachings, and the idea of extraterrestrial beings. Many ancient cultures, including those in Japan and China, have legends about beings who came from the skies and imparted wisdom.

I would say there is definitely a case for these ideas. We’re not the only ones exploring these concepts in modern times. Ancient cultures spoke of celestial beings visiting Earth, sharing knowledge, and interacting with humanity. The Dropa Stones could be an example of these extraterrestrial influences, possibly connected to a culture that has long been forgotten. The possibility that the Dropa people had extraterrestrial origins or a hybrid status with otherworldly beings remains an open question, but there’s certainly something there worth investigating.

These kinds of stories and discoveries shouldn’t be dismissed as myths. They often have deeper truths embedded in them, reflecting knowledge that transcends time and culture. The connection between ancient mysticism, extraterrestrial theories, and modern scientific discoveries provides a rich framework for understanding the Dropa Stones and their possible significance. For example, the Dropa stones are said to contain a script, a series of glyphs that are still undeciphered. The stones’ discovery in the 1930s sparked a great deal of interest. In one version of the story, the discs are said to have been found in a remote cave in China, hidden for centuries. The mystery surrounding them deepened when experts failed to translate the writing, and the discs were eventually locked away.

Despite the lack of concrete evidence, the stories surrounding the Dropa Stones persist. Some researchers claim the writing may be of extraterrestrial origin. In their research, they suggest that the glyphs may be a form of alien communication. This idea is bolstered by the unique materials the discs are made from, such as jadeite, a rare stone known for its durability. What makes the story even more fascinating is that many people believe the Dropa Stones are connected to the ancient culture of the Dropa people, who supposedly arrived on Earth from the stars. The theory is that these extraterrestrial beings may have crash-landed in the mountains of China thousands of years ago.

The details of their story suggest a close connection to ancient cosmic traditions, such as the Buddhist beliefs about celestial beings and astral projection. It’s also important to note that ancient cultures, including Chinese, Tibetan, and Japanese traditions, have many stories about visitors from the sky, beings who imparted knowledge and wisdom to humanity. These accounts suggest that the story of the Dropa Stones might not be a single isolated myth, but part of a much larger, global narrative about extraterrestrial influence on Earth.

While it’s easy to dismiss such stories as mere mythology, the similarities across various cultures raise intriguing possibilities. We may never fully understand the origins of the Dropa Stones, but the legends surrounding them deserve to be examined. The link between ancient cultures, extraterrestrial theories, and modern discoveries paints a fascinating picture. The truth, if we are ever to find it, might be far stranger than we can imagine.

What misconceptions about extraterrestrial life need correction?

Hans Dietrich: I don’t want to step on anyone’s toes, but there are many intriguing conversations about extraterrestrial life…and then there’s a lot of what I would call hokey mystery.

Can you give an example of these conversations?

Hans Dietrich: I’m more into the research, but I can share an experience. Many people talk about being abducted, having out-of-body experiences, or being visited by beings like Venusians or Andromedans. It’s the same story over and over, to the point where it becomes hard to believe. We don’t really know if it’s real. But I have an experience. I had a five-hour time gap missing when I lived in Hawaii.

I was at a house party with my friend’s band playing. We were eating deer meat, chatting by the fire, and staring at the Milky Way. In Hawaii, the stars are clear because there’s no light pollution. My girlfriend said, “Hans, it’s time to go.” I responded, “We just got here, we’re hanging out with friends.” She said, “You’ve been staring into space for five hours. I haven’t been able to move you, you’re not here.” I was shocked. It felt like just a minute ago.

When I was in Egypt in 2018, we were on top of a Nile cruise at dusk, enjoying beers and talking. Brian Forrest’s wife Irene pointed out an orb flying by, flashing blue, orange, and white lights. It was followed by two F-15s. About 30 seconds later, another orb flew by, bouncing as if saying, “Here we are.” Irene got a photo, and we were all stunned. What were we looking at? It could have been interdimensional travel, a type of orb, or our own technology training pilots. Drones don’t have to deal with the G-forces pilots face, so they can push technology further.

But what do we really know? There’s been a lot of news releases lately, and agencies are trying to control the narrative. The ultimate question is: what are aliens? Are we the aliens here? We cover ourselves in clothes, have poor eyesight, and our internal clock doesn’t match the 24-hour Earth system. We tear down nature to recreate it—no other animal does that. We’re also the only species without night vision, though most animals have it. We have 180-degree hearing. So much about humans doesn’t fit this planet. Are we even from here? Where did different groups of humans come from, and how long have we been here? No one knows.

Of course, we share DNA with the planet. If we were to terraform another planet, we’d have to upgrade the DNA to fit the conditions. Like in the movie Pandorum, we’d adapt ourselves. It raises the question: are we really from here? It’s a good question. The stories range from repeated tales to actual visits or advanced technology. It would be nice if they revealed whether it’s synthetic DNA or a living being. I think we’re ready. We’ve been conditioned by movies and programs like the Brookings Institute over the last 5 to 10 years. Disclosure is no longer just a drip but a steady stream. People investigating these topics definitely see something there. Some topics I don’t agree with, like people who channel things, but everyone has their niche.

What about channeling doesn’t resonate with you?

Hans Dietrich: Some of it does, but it gets into UFO syndrome. A researcher calls it that—constantly reinventing yourself. For me, I want to focus on research. I’m more into the nuts and bolts. I’m not interested in creating a big story about experiences or what I think I know about these topics, especially if I haven’t experienced them. Channeling is fascinating on many levels, but sometimes I get that gut reaction or a pinprick on the back of my neck. It just doesn’t resonate with me. There’s something about it that doesn’t align.

How would the world change if alien life became 100 percent verifiable?

Hans Dietrich: The Brookings Institute was tasked with understanding how humanity should be told about extraterrestrial discoveries in the 60s and 50s, when we began exploring space. Their conclusion was that it would disrupt all religions. I disagree because many religions already accept extraterrestrial or angelic beings. It’s just about framing it differently. Back then, we didn’t have the internet or connectivity that we have today. Today, we can share ideas more easily and are coming to a collective understanding. But back then, they were right to worry. They suggested releasing information slowly, using media like books, movies, and TV shows. Fast forward to today, and almost every movie has some form of alien or extraterrestrial concept in it.

The drip of disclosure has clearly moved forward. I believe society is ready, but it will still be an odd experience. Initially, people will be in denial. Denial is a part of the human psyche. We’ll experience guilt and denial, almost like the stages of grief. Eventually, though, we’ll accept the truth. We’re already seeing examples of alien life right here on Earth. For instance, the octopus and the Portuguese man o’ war.

The octopus is incredibly intelligent—genius-level intelligence—but we can’t communicate with it. It can transform itself, fit through small spaces, unscrew jar lids, and camouflage itself with its surroundings. What are these creatures? They don’t share DNA with humans, and their intelligence is extraordinary.

The Portuguese man o’ war is another mystery. It appears around the full moon on the leeward side of islands, but we don’t know where it comes from. It’s a colonial organism, meaning it’s made up of multiple organisms working together. This creature floats on the ocean, but we still don’t understand its origins or how it reproduces. These two creatures challenge our understanding of life on Earth, as their origins remain unclear.

I can tell you what would happen. Everybody would just go buy toilet paper. That is what would happen!

Hans Dietrich: The last scenario we went through was a huge test for this. The secondary aspect of COVID was disclosure, which came right after. We saw how people reacted—they raided grocery stores, toilet paper was gone, and people ran out of water and sanitizer. Would people react the same way to aliens? They’d likely go through denial, then panic, anger, and eventually acceptance.

I think they’re testing this narrative to see if it sticks. If they’re trying to make a narrative stick, what’s their agenda? Is there money involved? When Grusch and Elizondo spoke out two years ago, space force funding jumped into the billions. Create a threat narrative, and you get military and financial reactions.

The mainstream narrative is focused on threat and mystery. But what if extraterrestrials are here to help? What if they see us as a resource, like ancient stories suggest? Are they here to use our resources for their own gain? Flash forward to today—are the visitors coming back? Do they see us as a threat or resource? Sadly, we’re still trying to nuke ourselves into oblivion. I thought we’d be far beyond that by now, but it seems like we take two steps forward and fall back a step.

What will you be presenting at Conscious Life Expo in February?

Hans Dietrich: I’ll be presenting on Friday at noon in the Rabbit Hole Room downstairs, on the second day of the convention. I’ll talk about the Dropa stones, as well as other legends, lore, and symbology from different cultures. I’ll also share a bit about my upbringing in Nepal and what led me to these topics. My focus will be on the Dropa storyline—how my research differs from what’s online, and the discoveries that led me to my conclusions and hypotheses. I’ll explore what’s based in reality, what isn’t, and how it overlaps.

There’s not much cultural mysticism or extraterrestrial visitation discussed in Asia, particularly Nepal, Bhutan, or Tibet. India has the Mahabharata, but not much else from these regions, so it’s an exciting, new field. I’m eager to share this with people.

I also study symbology and recently, I’ve been exploring ancient Khemit and life before the Greeks conquered Egypt. Most of what we know about Egypt comes from the Greeks, Romans, and Arabs, but there’s a rich, untold history. I like to combine these topics to offer a conscious and holistic message, encouraging people to explore new areas of research.

What do you love about Conscious Life Expo?

Hans Dietrich: I went in 2023 for the first time and was blown away by how big it was. It’s one of the largest conferences of this type, possibly in the world. The number of vendors and amazing technologies was incredible. For me, it’s also about stepping out of my graphic design shell. I spend a lot of time behind a keyboard, not interacting with people. But at a conference like this, you meet your people—like-minded individuals interested in these topics.

The conversations and the caliber of them were amazing. This is why I go on tours. I’ve been to Peru once, Egypt twice, and Mexico last spring. On these tours, everyone is there for the same purpose, so the ice is already broken. You can have deep, intellectual conversations that go on for hours. You leave these conventions and stay friends with everyone. It’s a great way to network with the community. I love it and encourage everyone to attend. It’s so much better than TV. Trust me

How can people follow your work and connect with you?

Hans Dietrich: I have two main platforms. First, I’m building my YouTube channel, Giza Direct, where I feature lectures from people like Patricia Awyan Lehman, Yousef Iowan, Brian Forster, Hugh Newman, Andrew Collins, and interviews with Brad Olsen and Colin Woolford. I’m slowly growing it, but most of my work is on megalithicmysteries.com.

On my website, you can find links to my three books: Dropa Legends and Lore, The Magic of Symbols (an introduction to symbology), and The Lost Mysteries of Khemit. I also design sublimation fashions, and you’ll find stories about my tours to Peru and Egypt.