The Power of Conscious Storytelling: From the Spotlight of Hollywood to the Mission of Gaia – An Interview with Jason Liggett

What if the art you create could be the very bridge between ancient wisdom and future consciousness?

For Jason Liggett, senior producer at Gaia, exploring ancient wisdom isn’t about dusty relics or lifeless timelines; it’s about uncovering the mysteries of consciousness encoded in stone, myth, and memory. From Egypt’s temples to Britain’s stone circles, Jason has devoted his career to creating series like Channeling: A Bridge to the Beyond that challenge mainstream narratives and invite viewers to see history through a new lens.

Shaped by his early years as a baseball pitcher, an actor, and a director, Jason brings both discipline and artistry to every production. Yet it was a personal spiritual awakening—sparked by Eckhart Tolle’s The Power of Now—that gave his work its true depth. Now, whether interviewing world-renowned experts or capturing the energy of sacred sites, he creates from the heart, with the intention of inspiring remembrance.

In this conversation, Jason shares how he weaves spirituality into storytelling, why presence is his guiding practice on and off set, and what he hopes every viewer discovers when they press play on Gaia. Continue reading—or listen in by subscribing for free on Spotify, Apple Podcasts, Amazon Music, or YouTube—to discover how Jason Liggett’s journey invites us all to remember who we truly are.

Jason, did you have some sort of faith experience, spirituality, or church life in your childhood?

Jason Liggett: Yeah, I did. I grew up with a church life, but I was always a bit resistant to it. I loved the messages I heard there, but I never felt a deep spiritual connection. I was always searching for something more.

At one point, I found a poem called something like My Church Is an Apple Tree, and I brought it to my parents, saying, “See, you don’t have to go to church to feel this immense love and spiritual connection.” For me, nature gave me what I couldn’t find in church. A big waterfall or a beautiful tree—that was my version of sacred space.

As you got older, at what point did you begin to expand your thoughts on spirituality?

Jason Liggett: It took a while. I was lost in the game for a bit. I knew the church path wasn’t for me, but I was still searching for what would make me feel fully connected.

I had grown up playing baseball, but after an injury, I transitioned into the film industry as an actor. The deeper I went into that world, the less connected I felt to myself, my mission, and my path. That growing sense of disconnect was what drove me to go deeper. It was the realization that I wasn’t okay with just accepting what I’d been told to do. I needed something more fulfilling.

Did you have a certain experience, book, or teacher that pulled you into that world?

Jason Liggett: Absolutely. Eckhart Tolle’s The Power of Now was a clear before-and-after moment for me. I’ll never forget one weekend—I was painting around the house, listening to The Power of Now and A New Earth back to back. Everything shifted.

I felt the most profound sense of peace, like I had finally found what I had been searching for all along—a deeper spiritual connection to something much greater than words can explain. That was the game-changer for me.

Was there a particular theme or concept that unlocked it for you?

Jason Liggett: I think it was the permission to feel the space within me. When you look out into the vastness of outer space, it can feel impossible to connect to it. But when you turn inward, you realize that same vastness exists inside you.

That discovery brought me inner peace. It stopped the resistance and allowed everything around me to simply be. One of my favorite Eckhart Tolle teachings is that non-attachment, non-resistance, and non-judgment are the keys to enlightened living. When you let go of resistance and allow life as it is, that’s when you begin to find peace—and to live from that place.

You seem to have an internal drive, a determination to accomplish what you set your mind and heart to. How do you balance that drive with non-attachment and non-judgment?

Jason Liggett: That’s the practice. It’s constant. As soon as the mind takes over too much from the heart, resistance and judgment creep back in.

For me, art has to come from the heart first, and then the mind steps in to execute. The key is remembering that I’m just the channel for the art to come into the world. My job is to stay present and allow it to flow through me. The mind can handle the analytics, the schedules, the logistics—but the spirit has to lead.

Let’s go back to your career path. You mentioned starting as an actor, but now you’re a senior producer at Gaia. As a young adult, did you always aspire to be in entertainment, or was it something you fell into?

Jason Liggett: Growing up, I was a pitcher, and that role demands leadership. You’re relying on the whole team, but ultimately you’re the one throwing the ball. That pressure shaped me.

When I got hurt and realized I couldn’t pursue baseball any further—and that my heart wasn’t in it—I knew I wanted to make movies. Visual art had always pulled me in, and that was where my drive shifted.

It wasn’t easy stepping away from something I’d worked on for so long. But the moment I left that comfort zone, it felt like the wind picked up and carried me forward. The loss of baseball was the birth of something new. That’s really where it began.

Take us through a bit of your career path—your work as an actor, in front of and behind the camera—and what ultimately led you to Gaia.

Jason Liggett: I started as an actor—commercials, a couple of films—but I quickly realized I wasn’t sure my heart was in that path. So I directed a short film, and to my surprise, it won a couple of awards. That experience lit me up. It felt more like pitching in baseball—being the one who orchestrates the vision. I loved directing, but I also loved producing, having the ability to shape projects and bring them to life in the way I envisioned.

Still, something was missing. My films had an edge I enjoyed, but they lacked the spiritual depth I felt called to express. I was lost for a while. I admired Gaia’s work, especially shows like Arcanum with William Henry, but I assumed the company was based in Los Angeles. As much as I loved LA, I had young kids at the time and didn’t want to raise them there. So I never looked deeper.

A year later, while living in Middle Tennessee—on the historic Battle of Franklin battlefield, of all places—I decided to click the “Join the Team” button on Gaia’s website. The application asked for a video, so I poured my heart out on camera. I said, “I just want to help. I want to support these incredible hosts, teachers, and renegades in any way I can.” That authenticity must have come through, because they called me and said, “Come on.”

Was there a position available, or did you just send the video on your own initiative?

Jason Liggett: They were actively building their producing team, so the timing was right. But it wasn’t just about timing—it was about intention. Back then, it wasn’t as common as it is now to send video applications, so I felt fortunate to have that opportunity. Speaking to the camera never intimidated me, but this time it was different. I wasn’t acting—I was simply saying, “I want to be of service. I love what Gaia does, and I want to help however I can.”

When you visited Gaia in Colorado for the interview, what was that experience like?

Jason Liggett: Honestly, it was surreal—and calming. For the first time, I felt like I had found the right avenue to use my gifts and skills through visual art. At Gaia, I could help people in ways far beyond myself. It felt like alignment, like I had finally figured it out.

There weren’t nerves or anxiety. Of course, I wanted the job, but more than that, I knew I was exactly where I was meant to be.

And what was it like to make the move—bringing your family, shifting your life to Colorado?

Jason Liggett: We were already looking for something new. Colorado felt like the perfect balance. It has the mountains, the skiing, the lifestyle we were craving. I grew up in East Tennessee, but living in Middle Tennessee just wasn’t right for us. The West Coast had its beauty, but Colorado offered a fresh start.

Honestly, at that point, I didn’t care where Gaia was—even if it had been back in LA, I would’ve gone. But learning it was in Colorado made the move even better. It was the perfect opportunity to go somewhere different, somewhere inspiring, and truly contribute.

For those unfamiliar, what is Gaia, what is its mission, and how does it serve spiritual seekers?

Jason Liggett: I love both the vision and the mission of Gaia. The vision is to empower the evolution of consciousness—and I’m all in on that. The mission is to create a transformational network that connects the entire global conscious community.

What that means in practice is that we’re constantly creating powerful content—docuseries, straight-to-camera teaching shows, talk shows, and explorations of alternative theories. Gaia is a place where all of that can live together, and you’re free to explore.

When I was first awakening, YouTube was really the only platform available. But it wasn’t like Gaia. Here, you have over 10,000 titles all in one place—a one-stop shop for any rabbit hole you want to explore, presented in a thoughtful and intentional way. That’s what excites me about contributing: I get to help create content that fills the exact void I felt when I was making art that lacked spiritual depth.

And so people know, Gaia is a subscription-based platform. I often describe it as “the Netflix of the spiritual consciousness world,” with basically unlimited content.

Jason Liggett: Yeah, that’s actually a good way to put it. Gaia is a place where you can stream it all, and that’s the easiest way to explain it.

Viewers see the final product, but I’d love for you to take us behind the scenes. What does the process look like—from concept to pre-production, through production, and all the way to marketing and distribution?

Jason Liggett: Producing at Gaia is incredibly hands-on, which I love. I wear many hats—I’m the writer, the director, and the producer.

When the executive team brings forward topics or ideas for a new season, I dive into them. I work with a researcher, but ultimately, I have to find how to put my own voice into it. If you’re not connected to what you’re creating, it’s tough to find that extra gear, that spark. I love digging into stones and bones and ancient civilizations, but I also love weaving in the metaphysical and spiritual influences.

So once I have the concepts, I write the treatments, craft the voiceovers, and shape the season. Then comes the hard part—preparing for long interviews, with 15 or more people whose perspectives I’ll need to weave together across episodes. It’s extremely challenging, but it’s also incredibly rewarding to see how it all comes together from start to finish.

For a new season of Ancient Civilizations, how do you plan out the episodes? How many are there typically?

Jason Liggett: Right now, the standard is eight episodes per season. It can vary depending on the storyline, but eight has become a pretty consistent number.

Do all the experts come to Colorado for interviews, or do you travel to them?

Jason Liggett: With Ancient Civilizations, I do travel a bit more. For example, I’ll often stop in Kensington in the UK and set up to film with everyone based in Great Britain. Sometimes we also go on location, depending on the storyline.

Usually, though, it’s split between a European production and a U.S. production. I rarely travel for just one interview, though it does happen depending on people’s schedules. Coordinating flights, trains, and everyone’s availability can be complicated, so we block out a specific production window in the calendar. When Ancient Civilizations is scheduled, the whole team knows to get ready.

How long does it take to produce a season, from pre-production through post-production?

Jason Liggett: Approximately 4 to 6 months, from start to finish. It begins with development: writing the concepts, getting approval, then crafting the interview questions and booking all the guests.

From there, you’re looking at planes, trains, and automobiles—literally—just to get everyone in place. After filming, we ingest and sift through all the footage, which is a massive undertaking.

Of course, there’s always the pressure to turn it around faster, but with a smaller team, that’s just not realistic. We do the best we can, and the process takes the time it needs.

When you say “small team,” how many people are typically working on a show like Ancient Civilizations?

Jason Liggett: Usually, five to seven people make up the core team. I’ll have two editors going at the same time, which is tough because you’re constantly feeding them footage, answering questions, and reviewing cuts, especially in the middle of the season. I also work with a senior associate producer and two or three graphics artists who create 3D models or After Effects projects as needed. If we need extra help, we call it in; for the most part, we run a pretty tight ship.

Out of all the experts you’ve interviewed—such wise, gifted individuals—who consistently surprises you the most?

Jason Liggett: For Ancient Civilizations, I’ve always had a strong connection with William Henry. His show, Arcanum, was actually what got me into Gaia, so there’s a special bond there. I also love working with Gregg Braden; we always have incredible conversations.

But if we’re talking about who surprises me most, it has to be Matías De Stefano. Every time, he brings through insights that leave me amazed. Robert Grant is another one—his discoveries and perspectives are just mind-blowing. Honestly, though, I feel so fortunate to be surrounded by such brilliant hearts and minds that it’s hard to single anyone out.

Matías De Stefano and Jason Liggett

You’ve worked on multiple projects beyond Ancient Civilizations. Have there been moments during production that impacted you personally—times when you felt a clear “before and after” shift?

Jason Liggett: Absolutely. One of the most powerful experiences was filming Season 1 of The Journey of Remembering with Matías. We went to the Salt Flats in Utah at sunrise, where he charged crystals he had carried to sacred sites around the world—the pyramids, the South Pole, and more. Later, we took one of the crystals to the Great Salt Lake.

While there, he began channeling what felt like a “watcher” of the Salt Lake. The silence, the sunset, the energy—it was unlike anything I’d ever experienced. I felt profoundly connected to the land and to this being he was channeling. It was probably the most spiritual moment of my life.

Another unforgettable experience was in the control room during Open Minds when Sheila Gillette connected with Theo. The instant she made that connection, it felt like a pillar of light descended. Time seemed to stop, and I was engulfed in this presence. It was so powerful I couldn’t even put words to it in the moment.

Experiences like those make me feel incredibly blessed. To call this my job—getting to witness and help share these moments—is something I never take for granted.

As a producer, how do you balance the responsibility of getting the job done with the deeply spiritual experiences that can sometimes feel overwhelming?

Jason Liggett: It depends on the project. For a docuseries, when I’m in the chair interviewing a guest, I stay open-hearted, but I’m also focused. I know what I need from them, I know their strengths, and I’m fishing for the right angles to tell the story.

But when I’m on a journey—like Journey of Remembering—it’s different. I still orchestrate the crew, but I allow my heart to be much more open to the experience itself. That’s where presence comes in. If I’m truly present, I don’t fear missing anything. I trust that my crew will be in the right place at the right time. Once we hit record, our job is to step aside and let the guidance flow through.

And when you do have these transcendent experiences, how do you integrate them—either in the moment or in the days afterward?

Jason Liggett: That’s a challenge. On Matias’ Great Britain Journey for Season 2, the intention was to open, clear, and tune the chakras. It was initiatic work. For me, it was impossible not to feel it. I had several breakdowns along the way, moments when the energy was so overwhelming that I just had to move through the emotions.

At places like Castlerigg, which is connected to the heart chakra, I felt such a powerful opening that there was nothing my small human mind could do to control it. In those moments, you just go with it. Thankfully, Matías has a great team that helps guide and support everyone through the process.

That depth of heart really shows in the work you produce. It’s not clinical or purely intellectual—viewers can feel the soul behind it.

Jason Liggett: That means a lot, because that’s my intention every day. I sit here at my desk, staring at monitors, and I put my whole heart into what I’m creating. Whether it’s a channeling series—which is my baby—or an investigative show about ancient artifacts, my goal is always the same: to find the through-line back to the heart.

I want viewers to feel something—not just to learn information. Through the voiceovers, the visuals, and the way a story unfolds, I try to unify the experience through the heart chakra. That’s the art I want to make, and that’s the energy I hope people feel when they watch.

Jason Liggett and Lee Carroll

Of course, alongside the heart work, there’s also a business side—budgets, analytics, renewals. How do you navigate that tension?

Jason Liggett: It’s definitely a practice. It’s easy to get caught up in the spreadsheets and worry, but Eckhart Tolle has a teaching that helps me: struggle and strain are signs the ego has returned. When I feel myself wrestling too much with logistics, I step back and ask, “Why am I forcing this?”

Yes, I have to stay within budget, and yes, I have to deliver. But after producing several seasons, I’ve learned that it balances out—something might cost more here, but we can adjust there. I run a tight ship in both pre- and post-production, which helps.

Practically, I also structure my days around this balance: I focus on creativity in the morning and analytics in the afternoon. That rhythm allows me to pour my heart into the art while still honoring the business side. At the end of the day, the priority is helping the message come through—not getting stuck in worry.

If you could travel back in time to visit an ancient civilization, which would you choose?

Jason Liggett: Egypt, without a doubt. I’ve studied it so much, and I’d love to see it in its prime—thriving, alive, fully operational. The sheer size and scope of the Nile Temple complex baffles me. To witness initiates moving from the south to the north, progressing through each temple as part of their spiritual path—that would be incredible.

The closest I’ve come to feeling something like that was on our trip to Great Britain, but Egypt in its flourishing state is the one I’d want to see. Of course, I’d also love to witness Atlantis or Mu, but with so many Egyptian relics still standing, it’s impossible not to choose Egypt.

Let’s shift into channeling. You produce Gaia’s Channeling Conference, and the next one is coming up on October 18, 2025. For those who might catch this later, it’s an annual event and available to stream on Gaia. Why is channeling so close to your heart?

Jason Liggett: Channeled wisdom has shaped my journey in ways I can’t even fully describe. Even in The Power of Now, Eckhart Tolle references A Course in Miracles. That was my entry point—I started down a channeled path and was fascinated by the depth of wisdom it offered.

Channeling as a phenomenon is so polarizing. People either embrace it or reject it, often with strong opinions. That tension made me want to dig in. I dreamed of creating a docuseries that explored the mysticism, the science, the styles, and the magic of channeling. That became Channeling: A Bridge to the Beyond.

From the beginning, my vision was twofold: first, lay the groundwork with the docuseries; then, create a live event every year to amplify the experience. I wanted it to feel like being inside the making of the series, but also something truly transformational.

At the conference, you’re not just watching; you’re in the room, immersed in the energy. I’ll never forget the first time I experienced Sheila Gillette channeling Theo—it felt like a pillar of light engulfed me. At the conference, you get that multiplied: not one, but five channels in a single day, woven together with a narrative and intention.

The goal is to inspire people to discover their own gifts—their essence, their multidimensional abilities, their radiance—and then share them with the world.

And the beauty is, even if you can’t attend in person, Gaia+ streams it live so we can all tune in together. There’s a real power when a large group comes together with a shared focus at the same time. And afterward, you can re-watch and continue drawing inspiration.

For me, hosting this event is magical. It’s an honor every year, because I get to stand on that stage and help amplify these messages for a global audience.

Who will be at the Channeling Conference on October 18th this year, and what does the format look like?

Jason Liggett: We have Bashar and Theo returning—both were featured in the docuseries, so I love tying them into the live event as well. We’ll also have Kryon, channeled by Lee Carroll, and Sarai, channeled by Karen Bell.

What I’m especially excited about this year is Matías De Stefano channeling Ghan, his higher self. I’ve worked with Ghan’s energy before, but never in this context—Matías sitting down and fully bringing Ghan through. We’ve collaborated for six years, but this is a new frontier for us, and I can’t wait.

I also love Sarai’s message, and I’ve had the honor of working with Karen and Sarai a few times now. Honestly, I feel this lineup is extraordinary. Last year’s conference was one of the best days of my life, and I believe this year carries that same potential. I can’t hide my excitement—it’s going to be powerful.

When someone watches Gaia’s content, whether it’s the conference or another series, what is your deepest hope for them?

Jason Liggett: I hope that something they watch will awaken remembrance—that moment of clarity when they realize who they really are.

I want people to question: Were these thoughts and feelings programmed into me? Do I actually have the power to shift them? The answer is yes, and the answers are within.

Our goal at Gaia is to inspire people to look deeper inside themselves while also exploring truths that mainstream narratives often leave out—whether it’s UFOs, hidden agendas, channeling, or challenging the accepted history of ancient civilizations.

We aim to come from a neutral place, laying everything out on the table while inviting viewers to explore further. Ultimately, the purpose is always to lead people toward harmony, love, and unity—and to inspire them to carry that energy into the world.

That’s what I’m trying to do through my work, and it’s what everyone on our team is committed to: helping people remember who they really are.

If you could speak to your younger self in the moment you decided to step away from baseball, what advice would you give?

Jason Liggett: I’d remind myself of the presence I felt standing on the pitcher’s mound—or surfing, or in any sport. When you get it in your head, you’re done. You lose the flow.

It’s the same in life. The key is presence. When you’re not flowing, it’s usually because you’re overthinking, corroding the connection. I’d tell my younger self, you’ve already felt the key—stay true to it. Stay in your heart. Let it flow through you. Don’t overthink, don’t manipulate, don’t try to please—just let it come through. That’s what I’d say, though honestly, I don’t know if he would have listened.

Where can people access Gaia’s content, and how can they follow you personally?

Jason Liggett: Everything’s at Gaia.com. You can stream it on any device—it’s a really well-built platform. Gaia+ is our premium subscription service, which includes conferences like the Channeling Conference. That library is an amazing new addition.

Personally, I’m on Instagram at @jasonjliggett. I share behind-the-scenes glimpses of production and what’s coming up, though it depends on my schedule—production and post can be all-consuming. But I love hearing from people and sharing when I can.

And a reminder for everyone about the Channeling Conference—October 18, 2025. Even if you can’t attend live at the GaiaSphere, it’s streamed annually on Gaia+ so you can join from anywhere.

Jason Liggett: Exactly. The GaiaSphere is such a special place—being with like-minded people, fully immersed without distractions, creates an incredible energy. Those events are pure fun and deeply inspiring. And for me, it’s also about connecting with the people who watch our shows. Most of the time, we’re just creating content and sending it out into the world, hoping people feel the heart we’ve poured into it. At events, I get to connect directly, which makes it even more meaningful.

Jason, thank you for the work you’re doing in the world. You’re pouring your heart into what you create, and it shows.

Jason Liggett: Thank you so much. It’s been a pleasure to share a bit of my journey.